Maty’s Corner #16 Pulley: The Esteem Driven Engine Still Matters

Maty’s Corner #16

Pulley: The Esteem Driven Engine Still Matters

Pulley started up in 1994, right in the beginning thick of the Southern California skate punk revolution of music that shaped my life. This 5 piece hard hitting melodic punk unit is led by Scott Radinsky who was no stranger the punk scene by 94 having been in Scared Straight during its 10 year existence (83-93) being heavy hitters in the Nardcore Mystic Records scene. They then went on to become skate punk greats Ten Foot Pole. Radinsky was in charge of that unit for their first 2 releases then forced to leave due to his pro baseball that he was already 3 years deep into. Being that baseball conflicts with the tour schedule of most punk rock I see it is making sense. That didn’t preclude Radinsky from being the voice of TFP’s seminal single My Wall.

Right outta the gate Pulley was a bit of a super group consisting of Radinsky from his aforementioned bands; Jim Cherry (may his soul be rested) of Strung Out; Matt Riddle of Face To Face and No Use For a Name; and Tony Palermo from Ten Foot Pole and Unwritten Law.

Pulley’s first drop in was 1995’s Esteem Driven Engine. A strong door kicker of a debut from these punk veterans. It slams open with Cashed In which would be a candidate on a best of record. Right away this first album sets a tone for more introspective lyrics which tends to happen to us punks as we get older. Take for instance Bad Religion’s material from the mid 90’s and forward.

Right after this was 97’s 60 Cycle hum. Again a really strong track starts the whole album off on the right foot, or left if ya skate goofy. The most interesting track on this was Noddin’ Off. It kicks like Ten Foot Pole or Scared Straight. I think kinda letting us all know that they remember who they are. Another overall solid effort from this board breaking unit.

1999 brought us @#!*, referred to as self titled. Honestly my favorite album by these guys. I believe it’s also their most popular. The lyrics start getting real introspective and the music on a couple tracks is even a bit dark. It’s still Pulley. The differences show growth in the band and they sound tighter than their first 2 albums. The stand out for me has always been Over It. Somewhat of a scathing indictment of the rat race that even the punk scene can degenerate into. Less of a middle finger and more a wake up call. The more incendiary and equally great track is Nothing To Lose. It’s been the background to a fuck you in my life numerous times. Just a great one to sing with and let something out.

2001 marked Pulley’s first album as a 4 piece, Together Again For The First Time. Jim Cherry had left the band to pursue Zero Down and dropped one solid album with them before he departed us. Despite the missing guitarist, this is as solid and tough an album as Pulley had put out. The first real stand out on this is “Hooray”hooray,matters,olympus,friends, for me. Another honest critique of the scene from the perspective of growing up but not giving in. The other one that hits me of this effort is “Same Sick Feeling.” Always sounds like one off of the 99 album and that’s not at all a bad thing.

2004 marked Pulley’s longest gap between albums. Matters shows the band hasn’t lost a bit of edge over their first 10 years. The band just sounds tighter with each offering they put out. It was also dedicated to their guitarist and friend Jim. This for me is like 99’s “self titled”. Most stand out on Matters is Insects Destroy. Has a bit of Bad Religion and Pennywise feel. Makes sense being that they were all label mates for so long. This marks Pulley’s final album on punk rock Olympus of Epitaph records and their last full length to date.

2009 after about 5 years Pulley gave us their first ep on a new label, Time Insensitive Material. Ghost Inside My Skin is the stand out of this short offering. It’s a blend of classic Pulley with some new ideas. The first glimpse of something new to come. 20011 gave us The Long And The Short Of It ep. Coming in at only 3 tracks, it leaves me hoping for a full length in the near future. There’s been rumors swirling around a new full length since 2012. I was fortunate to see them play recently. After 20 years of Pulley and 31 years of Scott Radinsky, neither part shows any sign of letting up for a long time to come.
Check out Pulley if you don’t know ‘em, re listen or catch ‘em live if ya do.

Article published in the popular Mega Zine STAMINA #3.
www.diy-publishing.com

You can keep up with Pulley over at:

Facebook
https://www.facebook.com/pulleymatters

EPITAPH
http://www.epitaph.com/artists/artist/59/Pulley

-Maty Almost

punxinsolidarity@gmail.com
https://punxinsolidarity.wordpress.com

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Maty’s Corner #15

Maty’s Corner #15
Havok on Polaris album review

Recently Havok on Polaris’ album Fan Dance Party came across my desk for a review. Musically I’d put it somewhere between the power pop and harder skate punk of the 90’s era. I love it. At 24 tracks sounds like all of the bands influences show through. I’d personally compare them to Parasites, Last Chucks and the Ergs with a touch of Ten Foot Pole and later 7 Seconds and a bit of NOFX and Screeching Weasel’s comical sensibility. They’re a trio outta Lawrence Kansas, yep Kansas has something other than Dorothy and Levinworth. Really tight playing, it’s nice to see pop punk pushing past the 3 chords from time to time. The more hard core readers may not dig these guys, but life sucks without a bit of fun so check ‘em out anyways. This is definitely one of the more exciting offerings of the year from punk rock in genereal. My favorite track off of this is My Radio Sux. While being track one is good enough to get me pumped for the rest of this fast paced good time. You can check in with these guys at https://www.facebook.com/thehavokonpolaris or get releases over at http://thehavokonpolaris.bandcamp.com/album/fan-dance-party

Maty’s Corner #14

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Maty’s Corner #14
Brigadiers EP Review

So I recently saw Brigadiers and got their Warriors ep. It’s just good honest straight ahead street punk. Really reminds me of Virus Nine. All 5 songs are just a refreshing kick to the face. The playing is as tight onstage as it is on this disc. Stand out track for me was Control. This solid unit hails from somewhere between Riverside County and Costa Mesa. So catch them live and get a copy of this and the new ep they have in the works. Get to know ‘em on their face book https://www.facebook.com/brigadiersband and get a good pit for ‘em.

-Maty Almost

Best Alternative Clothing Stores

All Your Punk Rock Apparel Needs

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DIRTY SHIRTY:
http://dirtyshirty.com

FASHION PUNK:
http://fashionpunk.com

FOUL MOUTH T-SHIRTS:
http://foulmouthshirts.com

PUNK AND PISSED CLOTHING:
http://punkandpissed.com

PUNK STUFF:
http://punkstuff.com

PUNK YOUR CHUCKS:
http://punkyourchucks.com

CRUST PUNKS:
http://crustpunks.com

REBEL GIRLZ:
http://rebelgirlz.com

ROCKABILLIA:
http://rockabillia.com

SOUR PUSS CLOTHING:
http://sourpussclothing.com

STEEL BOOTS AND SHOES:
http://steel-boots.com

TOO FAST APPAREL:
http://toofastonline.com

NO-GODS-NO-MASTERS:
https://www.no-gods-no-masters.com/

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The FIDLAR Band Review A Look Back At 2013 What A Year

The FIDLAR Band Review

The Skate Punk Band Making Waves Out Of California…

Fidlar B and B

“FIDLAR” is a skate punk band from Los Angeles, California. The band’s name is an acronym for ‘Fuck It Dog, Life’s a Risk’; a skate mantra created by singer Zac Carper’s former roommates. The members of FIDLAR were seemingly destined from birth to play in a band. Originally, FIDLAR went under the name ‘Fuck The Clock.’ Three years after recording their first songs they stepped on stage and out of the gate teamed up with The Black Lips’ and went on tour with The Hives, what kind of luck do these kids have?

Fidlar_025Elvis Kuehn (guitar/vocals) and Max Kuehn (drums) are the sons of Greg Kuehn, keyboardist for Long Beach punk legends T.S.O.L., while Zac Carper (vocals/guitar) is the son of famed custom surfboard crafter and designer to the pros, John “JC” Carper, who works out of his home based shop in Oahu Hawaii. Along with Brandon Schwartzel (of Rooney fame) on bass, the Kuehn brothers and Carper came together in 2009 to form their local garage/skate punk band known as FIDLAR.

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Before long, the four members were cohabiting in a pad on Figueroa Street, rehearsing DIY garage style and recording on site their newest tunes, and throwing insane house parties every weekend. They soon became the talk of the L.A. underground punk scene and went on the road full-time, and haven’t looked back yet.

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FIDLAR haven’t stopped touring since their early beginning performing local high school-house parties, when known as “Fuck The Clock” before 2009. FIDLAR is the band to keep an eye on now as they carry the torch, and continue to make news in the underground punk rock world, proving punks not dead in skateboarding, it’s very much alive. I haven’t gotten juiced up for a sk8 punk band since 1980’s band the ‘Faction.’

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In their title song “Cheap Beer” lyrics say;

“Getting fucked up on the 101, shooting our guns and having fun, 40 beers later and a line of speed, eight-ball of blow and a half-a-pound of weed. (chorus) I drink cheap beer so what fuck you…”
 

In the song titled “Stoked and Broke,” lyrics say;

“I just want to get really high, smoke weed until I die, I don’t ever wanna get a job, if I fucked up today, hey nothings wrong. Get pissed up by the hills, cocaine and shitty pills, get head in a broken car, with the windows up and the lights turned off. There’s nothing wrong with living like this, all my friends are pieces of shit…


The band is constantly making references to weed, cocaine, girls, guns, surfing, skating, L.S.D, pills and having no money. The songs make perfect sense for a generation of young skaters who just don’t give a fuck. Before long I was singing some of the chorus’s while driving down the road…”Wake – Bake – Skate.” These guys make me feel 22 again.

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FIDLAR Lineup:

Zac Carper – guitar, vocals
Brandon Schwartzel – bass
Elvis Kuehn – guitar, vocals
Max Kuehn – drums

Hometown
Los Angeles, CA

Label
White Iris

Website
http://www.fidlarla.com/

Twitter
http://twitter.com/fidlarla

Facebook
http://www.facebook.com/pages/FIDLAR/107196795985818


Fidlar

Taking Notice:

*In 2012, were named one of Stereogum’s ’40 Best New Bands of 2012′
*In the 2013 O Music Awards, FIDLAR were nominated within the ‘Best Web-Born Artist’ category.
*In 2013, AIM Independent Music Awards, hosted by Association of Independent Music (AIM), FIDLAR were nominated within the ‘Best Live Act’ category.

-Punk Monday

Early Beginnings For Famed Punk Rock Band “Black Flag”

Black Flag became America’s premier hardcore punk rock band in the early 1980s

Guitarist Greg Ginn formed the group in 1977, two years after he graduated from UCLA with a degree in economics and founded SST Records, an affiliate of the SST company he started originally at the age of 12 yrs. old. The label quickly grew with a loaded roster of other critically acclaimed punk rock bands, including Minutemen, Hüsker Dü, Sonic Youth, and Meat Puppets.

10616When the bands original singer Keith Morris left Black Flag to form the “Circle Jerks,” Black Flag went through several vocalists before discovering Henry Rollins, a Washington, DC, punk kid, who gained the bands attention when he jumped onstage with the band and began slam dancing during a live song at a New York performance.

10414From 1984 to 1986, Black Flag released more than one LP per year, in addition to a continuous touring schedule world wide. In 1986 Ginn dissolved Black Flag and focused on his popular hardcore label SST and composed several solo releases using various guest performers in his one man band releases. He has since focused his time and attention on running SST as a leader in the hardcore label industry and his involvement in the soon to be announced, return of “Black Flag,” with a new album release full of new tracks and a tour scheduled with North America and Europe show dates, to be announced in 2013.

8322While it was Ginn who composed all of Black Flag’s music and the majority of its lyrics, Rollins’ career got the greatest boost from his former band’s momentum,when he formed the popular hardcore band, simply called the “Rollins Band.” The Rollins Band recorded several albums and gained a world wide following that intensified after its appearance on the 1991 Lollapalooza Tour. By the release of 2000’s Get Some, Go Again, the original Rollins Band had moved on and replaced by the members of Mother Superior, an L.A.-based trio, which provided a more straight-ahead hard-rock canvas for Rollins’ hardcore lyrics and shouted vocals. In 1998, Rollins collaborated with Bone Thugs-N-Harmony, Flesh-N-Bone, Flea, and Tom Morello of Rage Against the Machine on a remake of the 1970 Edwin Starr hit “War” for the soundtrack to , “Small Soldiers.”

-Punk Monday

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Dead Kennedys Gold Release Discography

The Dead Kennedys Gold Albums And Tracks Review

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Dead Kennedys were a hardcore punk rock band, born from San Francisco, California. The underground band also known as simply “DK” made news world wide for nearly a decade.

During the 1980s the band gained a large underground following in the international punk music scene. Their music mixed the more experimental elements of English 1970s punk with the raw energy of the 1980s American hardcore punk sounds. Dead Kennedys’ songs mix the deliberately shocking lyrics of punk rock mixed with a sarcastic left-wing commentary on social and political issues.

Not since the Sex Pistols has the name of a punk rock band made so much public noise. From day one the general public payed close attention to the bands every song and lead vocalist Jello Biafra became a political thorn in every politicians side with harsh lyrics directed at social political topics that were headliners at the time. Dead Kennedys appeared to go after every  issue with hits like Too Drunk To Fuck and then a song directed at the officers of the law with Police Truck.

The band even had sharp opinions towards their own punk rock subculture and the lack of realism of their hardcore values with a direct attack on the Nazi punk genre with the hit song Nazi Punks Fuck Off. This led to many, many fights in the mosh pits of their shows and their popularity continued to grow into the homes of a wide age range and a mixed gender of faithful followers.

Skateboarding took hold of the Dead Kennedys and in every back yard session and at every contest event one could hear familiar sounds of Biafra’ shrieking voice as the skaters made their runs.

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From 1978 until 1989 the Dead Kennedys made a major mark in punk rocks history of hardcore bands and they were never short of any controversy. The band received many radio bans and lawsuits from celebrities and politicians, but nothing seemed to phase them, that is until the harsh breakup that ended in court room proceeding’s and continues to this day, after 30 years has gone by.

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In 1978, Dead Kennedys made their live debut with a show at the Mabuhay Gardens in San Francisco, California and continued a 10 year run of music progression that spread world wide.
“Fresh Fruit for Rotting Vegetables” is the debut album by the hardcore punk band Dead Kennedys, released initially on Cherry Red Records in the UK in 1980 and eventually through Faulty Products and again in the US (later on Alternative Tentacles label). The best selling and generally the most critically acclaimed album by the Dead Kennedys, “Fresh Fruit for Rotting Vegetables” has become a major staple of American punk rock history.

 

Here’s a listing of some of Dead Kennedys most famous albums and tracks

 

1980 Fresh Fruit For Rotting Vegetables
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1. Kill the Poor (3:06)
2. Holiday in Cambodia (3:46)
3. Police Truck (2:28)
4. Forward to Death (3:46)
5. When Ya Get Drafted (1:23)
6. In-Sight (1:43)
7. Let’s Lynch the Landlord (2:10)
8. Too Drunk to Fuck (2:42)
9. Drug Me (1:54)
10. The Prey (3:49)
11. Your Emotions (1:19)
12. Chemical Warfare (2:54)
13. California Uber Alles (7:28)
14. I Kill Children (2:02)
15. Stealing Peoples’ Mail (1:33)
16. Funland at the Beach (1:48)
17. Ill in the Head (6:49)
18. Viva Las Vegas (7:01)

1982 The Virgin Demos

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1. Government Flu (2:04)
2. Terminal Preppie (1:30)
3. Trust Your Mechanic (2:55)
4. Buzzbomb (2:21)
5. Halloween (3:35)
6. Winnebago Warrior (2:08)
7. Bleed for Me (3:25)
8. I Am the Owl (4:52)
9. Saturday Night Holocaust (8:38)
10. Well Paid Scientist (2:22)
11. Forest Fire (2:23)
12. Riot (5:57)
13. Life Sentence (5:19)
14. Dead End (3:56)
15. Moon Over Marin (4:27)
16. Kepone Factory (1:19)
17. The Prey (3:49)

1982 Plastic Surgery Disaster

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1. Government Flu (2:04)
2. Terminal Preppie (1:30)
3. Trust Your Mechanic (2:55)
4. Well Paid Scientist (2:22)
5. Buzzbomb (2:21)
6. Forest Fire (2:23)
7. Halloween (3:35)
8. Winnebego Warrior (2:10)
9. Riot (5:57)
10. Bleed for Me (3:25)
11. I Am the Owl (4:52)
12. Dead End (3:56)
13. Moon Over Marin (4:27)

1985 Frankenchrist

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1. Soup Is Good Food (4:18)
2. Hellnation (2:21)
3. This Could Be Anywhere (5:24)
4. A Growing Boy Needs His Lunch (5:50)
5. Chicken Farm (5:06)
6. Jock-O-Rama (4:06)
7. Goons of Hazzard (4:25)
8. M.T.V. – Get Off the Air (3:54)
9. At My Job (3:40)
10. Stars and Stripes of Corruption (6:24)

1986 Bedtime For Democracy

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1. Take This Job and Shove It (1:24)
2. Hope With the Jet Set (2:07)
3. Dear Abby (1:09)
4. Rambozo the Clown (2:25)
5. Fleshdunce (1:29)
6. The Great Wall (1:32)
7. Shrink (1:44)
8. Triumph of the Swill (2:17)
9. Macho Insecurity (1:30)
10. I Spy (2:30)
11. Cesspools In Eden (5:56)
12. One Way Ticket To Pluto (1:38)
13. Do the Slag (1:37)
14. A Commercial (1:33)
15. Gone With My Mind (1:43)
16. Anarchy For Sale (1:18)
17. Chickenshit Conformist (5:59)
18. Where Do ya Draw the Line (2:39)
19. Potshot Heard ‘Round The World (2:10)
20. D.M.S.O. (2:09)
21. Lie Detector (3:45)

1988 Plastic Surgery Disaster / In God We Trust

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1. Advice From Christmas Past (0:55)
2. Government Flu (2:04)
3. Terminal Preppie (1:30)
4. Trust Your Mechanic (2:55)
5. Well Paid Scientist (2:22)
6. Buzzbomb (2:21)
7. Forest Fire (2:23)
8. Halloween (3:35)
9. Winnebago Warrior (2:08)
10. Riot (5:57)
11. Bleed for Me (3:25)
12. I Am the Owl (4:52)
13. Dead End (3:56)
14. Moon Over Marin (4:27)
15. Religious Vomit (1:04)
16. Moral Majority (1:55)
17. Hyperactive Child (0:37)
18. Kepone Factory (1:19)
19. Dog Bite (1:14)
20. Nazi Punks Fuck Off (1:00)
21. We’ve Got a Bigger Problem Now (4:29)
22. Rawhide (2:13)

-Punk Monday

 

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D.I.Y. Punk Rock Show

Putting On A D.I.Y. Punk Rock Show In Your Home Town

Make A Good And Clear Deal With The Bands Invited

– Put all possible information in the form of a contract, so there can’t be any misunderstanding about the deal you made. Have it signed and have another be a witness.
– In case the band manager doesn’t work with a contract make sure you have the agreed upon plan/deal in e-mail form and even print it out and offer it as a copy.
– Don’t promise bands anything you can’t guarantee: if you tell them you will pack the place and only 40 people show up, it looks very bad.
– It always helps to keep a little variety in the lineup. Ask 3 of the same-styled local bands to play. If you ask 3 clearly different bands you will attract several different crowds..

Don’t Pay Too Much For The Band

– Always pay the bands a percentage of the door money. The money the band, or the manager is asking is in most cases more than they actually need, so try to get the band for a low price.
– On the other hand make sure it’s a fair deal because if you think the band will draw at least 100 people.
– Always  make sure you have enough food and drinks for them. If you take care of bands, the next time you will contact them they are more likely to respond positively to you again.

Invite All You Friends And Their Friends

– Of course you want a lot of visitors on your shows. Starting with all the people that you know yourself.
– Always ask the band to send out an email list and Facebook friends with posts on bulletin boards. To their fans, friends and family, etc…

Make A Website Or A Page And Use Every Social Media Site

– A website page is important, so people can keep checking what you are doing. Always keep this up to date, so people know that you are always working on new things and keep coming back to your sites.

Make Flyers & Posters To Paint The City

– Make clear flyers for the show and make sure you spread them through your town. Also important is that you spread them at similar kind of shows the two months before your own show.
– It is very important to put all info on the flyer, the time, venue, price and website address.
– A lot of time you get posters from the band manager. Do the same with them as with the flyers and paste away.
– Don’t just stick to your own town/city but try to go to shows in other cities as well to flyer there or ask friends to do it if you don’t have the chance.
– Remember small shows are just as important as big ones. Treat the event like a big rock concert.

Create A Mailing list

-Because people are lazy… You have to keep them up to date with all your shows. The best way is to send them e-mails and newsletters once in a while with all your up to date info. Don’t do this too much, because then people get sick of your e-mails and unsubscribe from your mailing list. It takes a while to get a proper amount of people on this list, but just starts with your own friends and you will notice that this amount will grow in time.

Upcoming Shows

– Don’t get worried if you don’t have any shows coming up for a month or so, because then you obviously didn’t get any interesting bands offered to you or they decided to go to another city. Make sure though you keep on working getting more shows and keep people informed of what is to come.

Always Look Ahead

– Keep checking regularly what the booking agencies are working on/having coming up regarding touring bands. In a few years after you’ve done lots of shows and proved yourself, you might have the luxury of booking agencies contacting you first but this is not the case in the beginning.

Keep A Time Schedule

– Try to stick to the time schedule you made, it might be hard and especially when things don’t go as you planned and you want them to. Try and make it so that the last band finishes on time so people can catch their trains if they’re from out of town.
– Don’t book too many bands on one night as this might cause a lot of stress and your time schedule to get messed up.

Not Too Many Shows

– Before you confirm a show, check how many other shows around your show are going on.
– The same goes for booking too many shows yourself especially if you’re doing it all on your own.

Use A Proven Venue

-First of all you need a venue where you can set up a show. So check out if there is a music center or youth center in your city or area where you can put up a show. Contact them and explain what you want to do. It would be helpful if you a have plan put together, including a budget.

Have A Show Budget

-You have money yourself you like to invest in a show. When you haven’t put up a show before, I wouldn’t recommend this. Setting up shows and break even/make some money of it is pretty hard, especially when you’re doing it for the first time. If you do it, make sure you have put together a fairly careful budget or try to use a door deal (see point 3).

2: Is the venue or youth center able to do a show
This is the best way to start. Ask what your budget is and if it includes/excludes drinks for the bands, food, a sound engineer, protection, staff, back line, etc. Most of the times the bar earnings are for the venue and are not a part of the budget. Make sure you stay within the budget. If you like to set up more shows in the future, make sure you’re not using the full budget when you know you won’t be able to earn it back. If you stay within the budget, but the venue / youth center is making a big loss of the show you probably won’t be able to set up a new show. Try to make a fair judgment of how many kids will turn up and multiply it with the entrance fee.

The Bands Needs

-When you set up a show, think of which bands you like to book. Keep in mind, try to be realistic. You probably can’t book Terror or Sick Of It All for your first show. The best way to book bands is to approach them through mail or at a show. Try to avoid booking agency’s, most of the time you have to pay more for a band when you book them through an agency.

-When you approach them, make an offer of what you like to pay. Think of your budget and what are you able to pay them. How late does the band have to arrive at the venue, at what time will they play, is there food an drinks available for the bands. Don’t forget to ask if there are vegetarians or vegans in the band, will they bring a back line, etc. Don’t forget to mail them a route description how to get to the venue and some contact info.

Sound-Engineer And All Techs

-Make sure you have a sound engineer, most of the time the venue will have one. When they don’t, try to find one who is willing to do it for some drinks. Most of the times the venue will provide people for the bar, at the door and kitchen if food for bands is involved. Always check if this is the case, if not, ask nicely if your buddy’s want to help out.

Safe Back Line

-The back line includes the boxes for guitar and bass also, the drums. Normally the back line excludes the amps and drum breakables. Every band has to bring them along themselves, don’t forget to mention that! Most of the time a venue has no back line available, so you have to hire one which is pretty expensive, or the bands have to provide one. The best way is to ask the bands to bring a part of the back line, or ask a band to provide the whole back line. In the last case, it is fair to pay them a bit more.

Show Promotion

-Don’t forget to promote your show as good as possible. Post everywhere, not just on the internet.

-Get a cool flyer or poster design for the show and a cool name, if you put on a festival. If you can’t do it yourself, probably someone you know is able to help you out. Include the following info on the flyer: bands, date, doors/starting time, contact and address info.

-Make sure you give your show a lot of local attention, invite all your friends to show up and spread the rumor in you area. Local kids are normally a must and backbone to make the show a success.

-Punk Monday

Black Flag Band Members Touring In Two Rival Bands. Lawsuits Pending!

Black Flag Fans Get Two World Tours For The Price of One In 2013

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Pro skateboarder and band manager Mike Vallely with bands founder Greg Ginn

There’s a simple answer for all the “Black Flag” fans who are confused about why two different versions of the hardcore punk band are touring this year only separate: It’s about money, says Mike Vallely, professional skateboarder and newly appointed band manager for Black Flag. The master mind and founder of “Black Flag,” guitarist Greg Ginn carefully selected, vocalist Ron Reyes and original drummer Gregory Moore, to be the front men on a world tour in 2013. Now here’s a hilarious facet of this punk rock reunion story, but also performing on the road, simultaneously, playing memorable Black Flag songs, is tribute band “Flag,” who’s by the way is also composed with former band members, and playing the same popular hit songs, while traveling on the road. Seems almost everyone from Black Flag’s “Ghost of Christmas Past,” have been called to duty, except for the bands most popular vocalist and easily most famous band member, Henry Rollins.

rollins-bandHenry Rollins Performing Live from L.A. in 1996 as the “Rollins Band”

Keith Morris, the bands original singer and song writer for Black Flag, heads up the tribute band “Flag,” with the likes of Dez Cadena, Chuck Dukowski and Bill Stevenson, also reuniting together and touring North America, performing the same Black Flag songs, live in concert. Guitarist Greg Ginn claims the touring band Flag,” consisting of Keith Morris, Dez Cadena, Chuck Dukowski and Bill Stevenson, infringes on “Black Flag’s” rights, which are owned by him under his label, SST Records.

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Keith Morris of OFF! former singer of Black Flag, Circle Jerks and now Flag

Keith Morris and all the ex-band members through the years, have been wanting to do Black Flag again, but they’ve been wanting to do it on their own terms,” Vallely tells in Rolling Stone magazine. The pioneering hardcore punk rock band had been largely dormant since splitting in 1986. Then, after years of releasing music on his own and with various side projects, Greg Ginn announced in January that he was re-teaming with Reyes and Moore for a tour and a new album under the original band name, “Black Flag,” a move that Vallely says was nearly a decade in the making. “Greg and I had been talking about doing something together since 2003,” says Vallely, who is Black Flag’s newly appointed manager and remains the lead vocalist in the hardcore band, “Revolution Mother.”
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Vallely has been performing hardcore since early years as Mike V and the Rats
Paul A. Hebert/Getty Images


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“Good for You” turned into something good thus far, a new punk band with Mike Vallely on vocals and Greg Ginn on guitar. The group released its debut, “Life Is Too Short to Not Hold a Grudge,” in February on Ginn’s legendary label “SST Records”. “Good for You” seemed to signal that Ginn was ready to return to producing hardcore punk rock, and at the same time the guitarist was working with Vallely, he was talking to Ron Reyes about reviving Black Flag, but he did not want to just play oldies, but goodies as the sets.

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Keith Morris, remains calm after hearing of Ginn’s negative comments to the media and the multiple pending law suits popping up almost daily. Kieth Morris says he’s doing “Flag” just for fun, not for an increase in revenue, or fame, says Morris, who is the original vocalist and the front man for “Black Flag” from 1976-1979. Morris later went on to sing with the band “Circle Jerks” and currently remains the lead singer in the punk rock band “Off!” who’s also touring North America in 2013.

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By Rich Monday