JELLO BIAFRA AND THE GUANTANAMO SCHOOL OF MEDICINE

Latest LP From, JELLO BIAFRA AND THE GUANTANAMO SCHOOL OF MEDICINE

Present:
v450

‘White People And The Damage Done
(2013) LP + DOWNLOAD – $12.00 | CD – $12.00
iTunes amazon eMusic spotify Bandcamp

http://jellobiafra.bandcamp.com/album/white-people-and-the-damage-done
It’s the long-awaited anti-austerity blast-a-thon with the teeth, venom, and one-of-a-kind music of Jello Biafra & the Guantanamo School of Medicine!

 

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JELLO BIAFRA AND THE GUANTANAMO SCHOOL OF MEDICINE

Full-length #2 picks up where the Shock-u-py! EP left off! Covered in gruesome detail this time are corruption (“The Brown Lipstick Parade”, “Werewolves of Wall Street,” “Road Rage,”) and corporate McMedia making pop stars out of small-time crooks to shield the big ones (“John Dillinger”) or tabloid pop stars to lobotomize everyone else (“Hollywood Goof Disease”). The title track shines a light on our never-ending foreign-policy disasters in ways even Jello’s spoken word albums never did. “Crapture” is the perfect song to play for those lovely “End Times” believers, pointing out how much better the world will be when they leave and we’re “Left Behind”- with melodies on the scale Biafra hasn’t really touched since “Moon Over Marin.” Click below to continue reading at Alternative Tentacles Website.

FOLLOW HERE TO READ MORE AND ORDER THIS CLASSIC AT OFFER:
~ CLICK HERE TO READ AT ALTERNATIVE TENTACLES ~

Don’t Forget To Join Their Mailing List.
http://www.alternativetentacles.com/newslist.php?sd=HqS68coABqsrThrjNAv

 

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Maty’s Corner #16 Pulley: The Esteem Driven Engine Still Matters

Maty’s Corner #16

Pulley: The Esteem Driven Engine Still Matters

Pulley started up in 1994, right in the beginning thick of the Southern California skate punk revolution of music that shaped my life. This 5 piece hard hitting melodic punk unit is led by Scott Radinsky who was no stranger the punk scene by 94 having been in Scared Straight during its 10 year existence (83-93) being heavy hitters in the Nardcore Mystic Records scene. They then went on to become skate punk greats Ten Foot Pole. Radinsky was in charge of that unit for their first 2 releases then forced to leave due to his pro baseball that he was already 3 years deep into. Being that baseball conflicts with the tour schedule of most punk rock I see it is making sense. That didn’t preclude Radinsky from being the voice of TFP’s seminal single My Wall.

Right outta the gate Pulley was a bit of a super group consisting of Radinsky from his aforementioned bands; Jim Cherry (may his soul be rested) of Strung Out; Matt Riddle of Face To Face and No Use For a Name; and Tony Palermo from Ten Foot Pole and Unwritten Law.

Pulley’s first drop in was 1995’s Esteem Driven Engine. A strong door kicker of a debut from these punk veterans. It slams open with Cashed In which would be a candidate on a best of record. Right away this first album sets a tone for more introspective lyrics which tends to happen to us punks as we get older. Take for instance Bad Religion’s material from the mid 90’s and forward.

Right after this was 97’s 60 Cycle hum. Again a really strong track starts the whole album off on the right foot, or left if ya skate goofy. The most interesting track on this was Noddin’ Off. It kicks like Ten Foot Pole or Scared Straight. I think kinda letting us all know that they remember who they are. Another overall solid effort from this board breaking unit.

1999 brought us @#!*, referred to as self titled. Honestly my favorite album by these guys. I believe it’s also their most popular. The lyrics start getting real introspective and the music on a couple tracks is even a bit dark. It’s still Pulley. The differences show growth in the band and they sound tighter than their first 2 albums. The stand out for me has always been Over It. Somewhat of a scathing indictment of the rat race that even the punk scene can degenerate into. Less of a middle finger and more a wake up call. The more incendiary and equally great track is Nothing To Lose. It’s been the background to a fuck you in my life numerous times. Just a great one to sing with and let something out.

2001 marked Pulley’s first album as a 4 piece, Together Again For The First Time. Jim Cherry had left the band to pursue Zero Down and dropped one solid album with them before he departed us. Despite the missing guitarist, this is as solid and tough an album as Pulley had put out. The first real stand out on this is “Hooray”hooray,matters,olympus,friends, for me. Another honest critique of the scene from the perspective of growing up but not giving in. The other one that hits me of this effort is “Same Sick Feeling.” Always sounds like one off of the 99 album and that’s not at all a bad thing.

2004 marked Pulley’s longest gap between albums. Matters shows the band hasn’t lost a bit of edge over their first 10 years. The band just sounds tighter with each offering they put out. It was also dedicated to their guitarist and friend Jim. This for me is like 99’s “self titled”. Most stand out on Matters is Insects Destroy. Has a bit of Bad Religion and Pennywise feel. Makes sense being that they were all label mates for so long. This marks Pulley’s final album on punk rock Olympus of Epitaph records and their last full length to date.

2009 after about 5 years Pulley gave us their first ep on a new label, Time Insensitive Material. Ghost Inside My Skin is the stand out of this short offering. It’s a blend of classic Pulley with some new ideas. The first glimpse of something new to come. 20011 gave us The Long And The Short Of It ep. Coming in at only 3 tracks, it leaves me hoping for a full length in the near future. There’s been rumors swirling around a new full length since 2012. I was fortunate to see them play recently. After 20 years of Pulley and 31 years of Scott Radinsky, neither part shows any sign of letting up for a long time to come.
Check out Pulley if you don’t know ‘em, re listen or catch ‘em live if ya do.

Article published in the popular Mega Zine STAMINA #3.
www.diy-publishing.com

You can keep up with Pulley over at:

Facebook
https://www.facebook.com/pulleymatters

EPITAPH
http://www.epitaph.com/artists/artist/59/Pulley

-Maty Almost

punxinsolidarity@gmail.com
https://punxinsolidarity.wordpress.com

The FIDLAR Band Review A Look Back At 2013 What A Year

The FIDLAR Band Review

The Skate Punk Band Making Waves Out Of California…

Fidlar B and B

“FIDLAR” is a skate punk band from Los Angeles, California. The band’s name is an acronym for ‘Fuck It Dog, Life’s a Risk’; a skate mantra created by singer Zac Carper’s former roommates. The members of FIDLAR were seemingly destined from birth to play in a band. Originally, FIDLAR went under the name ‘Fuck The Clock.’ Three years after recording their first songs they stepped on stage and out of the gate teamed up with The Black Lips’ and went on tour with The Hives, what kind of luck do these kids have?

Fidlar_025Elvis Kuehn (guitar/vocals) and Max Kuehn (drums) are the sons of Greg Kuehn, keyboardist for Long Beach punk legends T.S.O.L., while Zac Carper (vocals/guitar) is the son of famed custom surfboard crafter and designer to the pros, John “JC” Carper, who works out of his home based shop in Oahu Hawaii. Along with Brandon Schwartzel (of Rooney fame) on bass, the Kuehn brothers and Carper came together in 2009 to form their local garage/skate punk band known as FIDLAR.

Fidlar_005

Before long, the four members were cohabiting in a pad on Figueroa Street, rehearsing DIY garage style and recording on site their newest tunes, and throwing insane house parties every weekend. They soon became the talk of the L.A. underground punk scene and went on the road full-time, and haven’t looked back yet.

Fidlar_Music1

FIDLAR haven’t stopped touring since their early beginning performing local high school-house parties, when known as “Fuck The Clock” before 2009. FIDLAR is the band to keep an eye on now as they carry the torch, and continue to make news in the underground punk rock world, proving punks not dead in skateboarding, it’s very much alive. I haven’t gotten juiced up for a sk8 punk band since 1980’s band the ‘Faction.’

Fidlar06

In their title song “Cheap Beer” lyrics say;

“Getting fucked up on the 101, shooting our guns and having fun, 40 beers later and a line of speed, eight-ball of blow and a half-a-pound of weed. (chorus) I drink cheap beer so what fuck you…”
 

In the song titled “Stoked and Broke,” lyrics say;

“I just want to get really high, smoke weed until I die, I don’t ever wanna get a job, if I fucked up today, hey nothings wrong. Get pissed up by the hills, cocaine and shitty pills, get head in a broken car, with the windows up and the lights turned off. There’s nothing wrong with living like this, all my friends are pieces of shit…


The band is constantly making references to weed, cocaine, girls, guns, surfing, skating, L.S.D, pills and having no money. The songs make perfect sense for a generation of young skaters who just don’t give a fuck. Before long I was singing some of the chorus’s while driving down the road…”Wake – Bake – Skate.” These guys make me feel 22 again.

Fidlar_AliceBaxley

FIDLAR Lineup:

Zac Carper – guitar, vocals
Brandon Schwartzel – bass
Elvis Kuehn – guitar, vocals
Max Kuehn – drums

Hometown
Los Angeles, CA

Label
White Iris

Website
http://www.fidlarla.com/

Twitter
http://twitter.com/fidlarla

Facebook
http://www.facebook.com/pages/FIDLAR/107196795985818


Fidlar

Taking Notice:

*In 2012, were named one of Stereogum’s ’40 Best New Bands of 2012′
*In the 2013 O Music Awards, FIDLAR were nominated within the ‘Best Web-Born Artist’ category.
*In 2013, AIM Independent Music Awards, hosted by Association of Independent Music (AIM), FIDLAR were nominated within the ‘Best Live Act’ category.

-Punk Monday

D.I.Y. Punk Rock Show

Putting On A D.I.Y. Punk Rock Show In Your Home Town

Make A Good And Clear Deal With The Bands Invited

– Put all possible information in the form of a contract, so there can’t be any misunderstanding about the deal you made. Have it signed and have another be a witness.
– In case the band manager doesn’t work with a contract make sure you have the agreed upon plan/deal in e-mail form and even print it out and offer it as a copy.
– Don’t promise bands anything you can’t guarantee: if you tell them you will pack the place and only 40 people show up, it looks very bad.
– It always helps to keep a little variety in the lineup. Ask 3 of the same-styled local bands to play. If you ask 3 clearly different bands you will attract several different crowds..

Don’t Pay Too Much For The Band

– Always pay the bands a percentage of the door money. The money the band, or the manager is asking is in most cases more than they actually need, so try to get the band for a low price.
– On the other hand make sure it’s a fair deal because if you think the band will draw at least 100 people.
– Always  make sure you have enough food and drinks for them. If you take care of bands, the next time you will contact them they are more likely to respond positively to you again.

Invite All You Friends And Their Friends

– Of course you want a lot of visitors on your shows. Starting with all the people that you know yourself.
– Always ask the band to send out an email list and Facebook friends with posts on bulletin boards. To their fans, friends and family, etc…

Make A Website Or A Page And Use Every Social Media Site

– A website page is important, so people can keep checking what you are doing. Always keep this up to date, so people know that you are always working on new things and keep coming back to your sites.

Make Flyers & Posters To Paint The City

– Make clear flyers for the show and make sure you spread them through your town. Also important is that you spread them at similar kind of shows the two months before your own show.
– It is very important to put all info on the flyer, the time, venue, price and website address.
– A lot of time you get posters from the band manager. Do the same with them as with the flyers and paste away.
– Don’t just stick to your own town/city but try to go to shows in other cities as well to flyer there or ask friends to do it if you don’t have the chance.
– Remember small shows are just as important as big ones. Treat the event like a big rock concert.

Create A Mailing list

-Because people are lazy… You have to keep them up to date with all your shows. The best way is to send them e-mails and newsletters once in a while with all your up to date info. Don’t do this too much, because then people get sick of your e-mails and unsubscribe from your mailing list. It takes a while to get a proper amount of people on this list, but just starts with your own friends and you will notice that this amount will grow in time.

Upcoming Shows

– Don’t get worried if you don’t have any shows coming up for a month or so, because then you obviously didn’t get any interesting bands offered to you or they decided to go to another city. Make sure though you keep on working getting more shows and keep people informed of what is to come.

Always Look Ahead

– Keep checking regularly what the booking agencies are working on/having coming up regarding touring bands. In a few years after you’ve done lots of shows and proved yourself, you might have the luxury of booking agencies contacting you first but this is not the case in the beginning.

Keep A Time Schedule

– Try to stick to the time schedule you made, it might be hard and especially when things don’t go as you planned and you want them to. Try and make it so that the last band finishes on time so people can catch their trains if they’re from out of town.
– Don’t book too many bands on one night as this might cause a lot of stress and your time schedule to get messed up.

Not Too Many Shows

– Before you confirm a show, check how many other shows around your show are going on.
– The same goes for booking too many shows yourself especially if you’re doing it all on your own.

Use A Proven Venue

-First of all you need a venue where you can set up a show. So check out if there is a music center or youth center in your city or area where you can put up a show. Contact them and explain what you want to do. It would be helpful if you a have plan put together, including a budget.

Have A Show Budget

-You have money yourself you like to invest in a show. When you haven’t put up a show before, I wouldn’t recommend this. Setting up shows and break even/make some money of it is pretty hard, especially when you’re doing it for the first time. If you do it, make sure you have put together a fairly careful budget or try to use a door deal (see point 3).

2: Is the venue or youth center able to do a show
This is the best way to start. Ask what your budget is and if it includes/excludes drinks for the bands, food, a sound engineer, protection, staff, back line, etc. Most of the times the bar earnings are for the venue and are not a part of the budget. Make sure you stay within the budget. If you like to set up more shows in the future, make sure you’re not using the full budget when you know you won’t be able to earn it back. If you stay within the budget, but the venue / youth center is making a big loss of the show you probably won’t be able to set up a new show. Try to make a fair judgment of how many kids will turn up and multiply it with the entrance fee.

The Bands Needs

-When you set up a show, think of which bands you like to book. Keep in mind, try to be realistic. You probably can’t book Terror or Sick Of It All for your first show. The best way to book bands is to approach them through mail or at a show. Try to avoid booking agency’s, most of the time you have to pay more for a band when you book them through an agency.

-When you approach them, make an offer of what you like to pay. Think of your budget and what are you able to pay them. How late does the band have to arrive at the venue, at what time will they play, is there food an drinks available for the bands. Don’t forget to ask if there are vegetarians or vegans in the band, will they bring a back line, etc. Don’t forget to mail them a route description how to get to the venue and some contact info.

Sound-Engineer And All Techs

-Make sure you have a sound engineer, most of the time the venue will have one. When they don’t, try to find one who is willing to do it for some drinks. Most of the times the venue will provide people for the bar, at the door and kitchen if food for bands is involved. Always check if this is the case, if not, ask nicely if your buddy’s want to help out.

Safe Back Line

-The back line includes the boxes for guitar and bass also, the drums. Normally the back line excludes the amps and drum breakables. Every band has to bring them along themselves, don’t forget to mention that! Most of the time a venue has no back line available, so you have to hire one which is pretty expensive, or the bands have to provide one. The best way is to ask the bands to bring a part of the back line, or ask a band to provide the whole back line. In the last case, it is fair to pay them a bit more.

Show Promotion

-Don’t forget to promote your show as good as possible. Post everywhere, not just on the internet.

-Get a cool flyer or poster design for the show and a cool name, if you put on a festival. If you can’t do it yourself, probably someone you know is able to help you out. Include the following info on the flyer: bands, date, doors/starting time, contact and address info.

-Make sure you give your show a lot of local attention, invite all your friends to show up and spread the rumor in you area. Local kids are normally a must and backbone to make the show a success.

-Punk Monday